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Ed Sheeran upgrades to Sennheiser Digital 6000 for tour

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Sennheiser has been an essential part of Ed Sheeran’s touring inventory since the start of his career, with his long-time production company, Major Tom, providing its flagship Digital 9000 system for him in recent years.

Now on a tour that takes in some of the biggest venues in the world, including London’s Wembley Stadium, the Stade De France in Paris, the Olympic Stadium in Helsinki, New Zealand’s Eden Park and Sydney’s Accor Stadium, and with a show that has expanded significantly from his one man and a guitar days, a switch has been made to Sennheiser’s Digital 6000.

“Digital 6000 delivers the same sonic excellence, but with added flexibility,” says RF engineer Dave White. “The 9000 Series served us incredibly well, but with large shows on multiple nights with a band and the addition of guest artists, we needed some extra flexibility. The 6000 system, coupled with the extension of Sennheiser’s Wireless Systems Manager application and a wider bandwidth, provides us with that.”

Digital 6000 series transmitters are coupled with a Sennheiser MM 435 capsule for Sheeran’s vocals, chosen for its cardioid polar pattern, and a 945 capsule, a favourite for many years because of its tight pickup pattern, for his loop vocal.

“The 435 is a specific choice for this tour, as we have a lot of PA and don’t want any spill,” says White. “Although Ed is close to the mic for a lot of the time, he’s dynamic in the way he uses it, and the 435 allows a little bit more range and pick up.”

There are a total of 16 channels of Digital 6000 for Sheeran’s guitars (of which he has five in rotation), three main vocal mics (a main and two spares) and three loop vocal mics (two main and one spare). Sixteen channels of Sennheiser 2050 IEMs are used for Sheeran and his band, comprising drums, bass, two guitarists and keyboards, which are positioned on ‘islands’ in front of the PA and also use a selection of Sennheiser dynamic mics.

“We always carry spare mics for guest vocals and instruments because you never know what’s going to happen on this tour,” adds White. “At the moment, we have a fiddle player with us who comes on for just one track. And Gary Lightbody, from Snow Patrol, came in for one show in Belfast.”

The Sennheiser system is coupled with a Meyer Sound Panther PA – the first to be used on a tour – and DiGiCo Quantum 7 mixing console, from which Sheeran’s production manager, Chris Marsh, mixes both FOH and monitors.

White has trusted in Sennheiser products for many years because of their robustness and stability. But he also finds the fact he can use Digital 6000 as a wideband RF scanner extremely useful, as it negates the need to carry an external scanner.

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